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	<title>Hayven Celestia - User contributions [en]</title>
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	<updated>2026-04-26T02:15:53Z</updated>
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		<id>https://geroo.space/index.php?title=Geroo&amp;diff=757</id>
		<title>Geroo</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Geroo&amp;diff=757"/>
		<updated>2026-01-08T16:55:39Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Religion and Culture */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Geroo.jpg|thumb|right]]&lt;br /&gt;
&lt;br /&gt;
The geroo were originally developed by Rick Griffin for the short story &#039;&#039;Ten Thousand Miles Up&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
[https://geroo.space/awkwords/ Geroo name generator]&lt;br /&gt;
&lt;br /&gt;
[https://www.heroforge.com/load_config%3D11039660/ Geroo Heroforge Model: Free to use]&lt;br /&gt;
&lt;br /&gt;
[https://www.heroforge.com/load_config%3D11039796/ Geroo In Environment Suit Heroforge Model: Free to use]&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;br /&gt;
&lt;br /&gt;
==Writing for Geroo==&lt;br /&gt;
When writing for geroo, refer to the pinned species sheet. For everything else, please keep the following facts in mind.&lt;br /&gt;
&lt;br /&gt;
===Rarity===&lt;br /&gt;
* Despite being the cornerstone species for the setting, there are &#039;&#039;not&#039;&#039; a lot of geroo in the galaxy. A huge portion of geroo are employed by Planetary Acquisitions, many are traded in krakun slave markets, there are some colonies on lio-friendly worlds, etc. but the actual number of geroo following the destruction of Gerootec to the present era is only in the millions, while most species are in the billions.&lt;br /&gt;
* Thus, many places in the galaxy have never run across a geroo in person before and may be unfamiliar with them. In some places if a geroo is present, they may be the only one.&lt;br /&gt;
&lt;br /&gt;
===Strands===&lt;br /&gt;
* Strands are communicators/computer terminals/wallets worn in a holster on the left bicep (typically).&lt;br /&gt;
* Geroo picked up the habit of having/using strands after first contact with the krakun. While it is not an absolute necessity, even outside of their employment to Planetary Acquisitions, geroo feel safer when they have a strand due to the connectivity to others it provides.&lt;br /&gt;
* The geroo call their communicators strands because the connectedness they feel &amp;quot;weaves the people into a tapestry.&amp;quot;&lt;br /&gt;
** While the geroo think this is their own original concept, the fact that geordians, who discovered the geroo, also call their communicators &amp;quot;strands&amp;quot; lends some credence to alternative theories.&lt;br /&gt;
* When sitting down with friends, geroo consider it polite to remove their strands and set them face down on the table to indicate &amp;quot;you have my full attention.&amp;quot;&lt;br /&gt;
* Currency (used aboard Planetary Acquisitions ships only) - Credits (written &amp;amp;#8354;5 to indicate five credits) are stored electronically on their strands. Geroo transfer money from one strand to another by tapping them together.&lt;br /&gt;
&lt;br /&gt;
===Religion and Culture===&lt;br /&gt;
* Geroo religion is non-organized. There are no priests, there are no temples, and there are no sacred texts. Geroo rarely even write about their own religion or metaphysics--almost all religious matters are a matter of custom, and even atheists will follow the customs anyway.&lt;br /&gt;
* Religion is centered around ancestor worship. Time was, during the Gerootec days, this was mixed with a worship of gods, but the gods fell by the wayside after Exodus.&lt;br /&gt;
* The most religious artifacts geroo collect are &#039;&#039;necklaces&#039;&#039; and &#039;&#039;shrines&#039;&#039;. &#039;&#039;&#039;Without exception&#039;&#039;&#039;, all geroo wear necklaces. Shrines are where geroo place the necklaces of their departed family members (or copies thereof) to represent them.&lt;br /&gt;
* The amount of beads a geroo has on their necklace is &#039;&#039;technically&#039;&#039; not fixed. There are still some rules surrounding it, though.&lt;br /&gt;
** The exact rules and practices surrounding bead type and count will vary from local culture to local culture.&lt;br /&gt;
** There are an absolute minimum of two beads on a geroo necklace, but most geroo will have a minimum of three.&lt;br /&gt;
** Male geroo wear fewer beads than female geroo. What &amp;quot;fewer&amp;quot; means can vary depending on local culture, but this roughly translates to five or fewer for males and seven or more for females. This is fully relative, however; a geroo culture might have a custom of &#039;&#039;lots&#039;&#039; of beads, and so males could have 15 or less and females 20 or more, or some other designation. Another culture may overlap and males would have seven or less and females five or more. Still others may have no fixed numbers and operate solely on vibes (though it&#039;ll usually still settle on a &amp;quot;normal&amp;quot; range)&lt;br /&gt;
*** However, this is also only a general rule; there is no law stating that males or females must have any designated number; it only feels more masculine or feminine to have fewer or more beads.&lt;br /&gt;
*** Androgynous or gender ambiguous geroo will often take an amount of beads between both customary male and female numbers.&lt;br /&gt;
* Geroo believe in direct soul-to-soul reincarnation. The precise mechanics of this are left ambiguous--geroo may hold many different beliefs, even multiple and contradictory beliefs about what really happens to the soul after death. These may range from other species not having souls (geroo are special), to other species souls being valid (someone particularly wicked may have a krakun&#039;s soul), to souls being judged for their deeds (and sent to hells or heavens while also, somehow, being reincarnated), to souls being fixed in number (a common belief among PA employees), etc.&lt;br /&gt;
* Geroo exchange beads with their pairbonded mate. It is typically custom to only ever exchange one bead at a time, though geroo are not strangers to having additional partners even if they don&#039;t publicly acknowledge it.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Geroo&amp;diff=756</id>
		<title>Geroo</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Geroo&amp;diff=756"/>
		<updated>2026-01-08T16:54:25Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Religion and Culture */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Geroo.jpg|thumb|right]]&lt;br /&gt;
&lt;br /&gt;
The geroo were originally developed by Rick Griffin for the short story &#039;&#039;Ten Thousand Miles Up&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
[https://geroo.space/awkwords/ Geroo name generator]&lt;br /&gt;
&lt;br /&gt;
[https://www.heroforge.com/load_config%3D11039660/ Geroo Heroforge Model: Free to use]&lt;br /&gt;
&lt;br /&gt;
[https://www.heroforge.com/load_config%3D11039796/ Geroo In Environment Suit Heroforge Model: Free to use]&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;br /&gt;
&lt;br /&gt;
==Writing for Geroo==&lt;br /&gt;
When writing for geroo, refer to the pinned species sheet. For everything else, please keep the following facts in mind.&lt;br /&gt;
&lt;br /&gt;
===Rarity===&lt;br /&gt;
* Despite being the cornerstone species for the setting, there are &#039;&#039;not&#039;&#039; a lot of geroo in the galaxy. A huge portion of geroo are employed by Planetary Acquisitions, many are traded in krakun slave markets, there are some colonies on lio-friendly worlds, etc. but the actual number of geroo following the destruction of Gerootec to the present era is only in the millions, while most species are in the billions.&lt;br /&gt;
* Thus, many places in the galaxy have never run across a geroo in person before and may be unfamiliar with them. In some places if a geroo is present, they may be the only one.&lt;br /&gt;
&lt;br /&gt;
===Strands===&lt;br /&gt;
* Strands are communicators/computer terminals/wallets worn in a holster on the left bicep (typically).&lt;br /&gt;
* Geroo picked up the habit of having/using strands after first contact with the krakun. While it is not an absolute necessity, even outside of their employment to Planetary Acquisitions, geroo feel safer when they have a strand due to the connectivity to others it provides.&lt;br /&gt;
* The geroo call their communicators strands because the connectedness they feel &amp;quot;weaves the people into a tapestry.&amp;quot;&lt;br /&gt;
** While the geroo think this is their own original concept, the fact that geordians, who discovered the geroo, also call their communicators &amp;quot;strands&amp;quot; lends some credence to alternative theories.&lt;br /&gt;
* When sitting down with friends, geroo consider it polite to remove their strands and set them face down on the table to indicate &amp;quot;you have my full attention.&amp;quot;&lt;br /&gt;
* Currency (used aboard Planetary Acquisitions ships only) - Credits (written &amp;amp;#8354;5 to indicate five credits) are stored electronically on their strands. Geroo transfer money from one strand to another by tapping them together.&lt;br /&gt;
&lt;br /&gt;
===Religion and Culture===&lt;br /&gt;
* Geroo religion is non-organized. There are no priests, there are no temples, and there are no sacred texts. Geroo rarely even write about their own religion or metaphysics--almost all religious matters are a matter of custom, and even atheists will follow the customs anyway.&lt;br /&gt;
* Religion is centered around ancestor worship. Time was, during the Gerootec days, this was mixed with a worship of gods, but the gods fell by the wayside after Exodus.&lt;br /&gt;
* The most religious artifacts geroo collect are &#039;&#039;necklaces&#039;&#039; and &#039;&#039;shrines&#039;&#039;. &#039;&#039;&#039;Without exception&#039;&#039;&#039;, all geroo wear necklaces. Shrines are where geroo place the necklaces of their departed family members (or copies thereof) to represent them.&lt;br /&gt;
* The amount of beads a geroo has on their necklace is &#039;&#039;technically&#039;&#039; not fixed. There are still some rules surrounding it, though.&lt;br /&gt;
** The exact rules and practices surrounding bead type and count will vary from local culture to local culture.&lt;br /&gt;
** There are an absolute minimum of two beads on a geroo necklace, but most geroo will have a minimum of three.&lt;br /&gt;
** Male geroo wear fewer beads than female geroo. What &amp;quot;fewer&amp;quot; means can vary depending on local culture, but this roughly translates to five or fewer for males and seven or more for females. This is fully relative, however; a geroo culture might have a custom of &#039;&#039;lots&#039;&#039; of beads, and so males could have 15 or less and females 20 or more, or some other designation. Another culture may overlap and males would have seven or less and females five or more. Still others may have no fixed numbers and operate solely on vibes (though it&#039;ll usually still settle on a &amp;quot;normal&amp;quot; range)&lt;br /&gt;
*** However, this is also only a general rule; there is no law stating that males or females must have any designated number; it only feels more masculine or feminine to have less or more beads.&lt;br /&gt;
*** Androgynous or gender ambiguous geroo will often take an amount of beads between both customary male and female numbers.&lt;br /&gt;
* Geroo believe in direct soul-to-soul reincarnation. The precise mechanics of this are left ambiguous--geroo may hold many different beliefs, even multiple and contradictory beliefs about what really happens to the soul after death. These may range from other species not having souls (geroo are special), to other species souls being valid (someone particularly wicked may have a krakun&#039;s soul), to souls being judged for their deeds (and sent to hells or heavens while also, somehow, being reincarnated), to souls being fixed in number (a common belief among PA employees), etc.&lt;br /&gt;
* Geroo exchange beads with their pairbonded mate. It is typically custom to only ever exchange one bead at a time, though geroo are not strangers to having additional partners even if they don&#039;t publicly acknowledge it.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=735</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=735"/>
		<updated>2025-11-25T22:31:23Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Pronouns, Gender and Sex */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Gender/sex terms&#039;&#039;&#039; - No humans here, do not use man/woman or words derived from either. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* &#039;&#039;&#039;Transgender/Nonbinary, etc.&#039;&#039;&#039; - Yes, every species with gender has these concepts somewhere. Different species have different practices regarding these situations. Species without sexual/gender differentiation do not experience these or experience these in an entirely different way from standard.&lt;br /&gt;
While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes or bias of the viewpoint character. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands/Feet&#039;&#039;&#039; - Ideally, use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** That said, if you can&#039;t go without using hand/foot without making it extremely awkward, go ahead and ignore this.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Time/Calendar&#039;&#039;&#039; - Use as is appropriate to the culture of the setting.&lt;br /&gt;
** Use &#039;&#039;&#039;years, months, weeks, days, hours, minutes, seconds&#039;&#039;&#039; as can be most closely translated; it&#039;s preferable not to use neologisms for these as readers prefer familiar terms to organize information. In case there is a discrepancy between two cultures, just note it.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;background-color:#ced3d7;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;font-style:italic; font-weight:bold;&amp;quot;&lt;br /&gt;
! Culture&lt;br /&gt;
! Clock&lt;br /&gt;
! Format&lt;br /&gt;
! Rollover (Hour Zero)&lt;br /&gt;
! Week&lt;br /&gt;
! Month&lt;br /&gt;
! Year&lt;br /&gt;
! Approx. Relative Time&lt;br /&gt;
! Additional terms&lt;br /&gt;
|- style=&amp;quot;background-color:#ecf4ff;&amp;quot;&lt;br /&gt;
| Lio Empire&lt;br /&gt;
| 20 hour, 100 minute, no AM/PM&lt;br /&gt;
| HH:MM&lt;br /&gt;
| Meridian Sunrise&lt;br /&gt;
| 8 days?&lt;br /&gt;
| Varies&lt;br /&gt;
| ?&lt;br /&gt;
| 1 lio year = 8 krakun months&lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#ffffc7;&amp;quot;&lt;br /&gt;
| Krakun Empire&lt;br /&gt;
| 24 hour, 60 minute, no AM/PM&lt;br /&gt;
| HHMM&lt;br /&gt;
| Meridian Midnight&lt;br /&gt;
| 5 days?&lt;br /&gt;
| 30 days&lt;br /&gt;
| 12 months, 360 days exactly&lt;br /&gt;
| 1 krakun year = 0.95 earth year&lt;br /&gt;
| Major-year = 60 years&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=734</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=734"/>
		<updated>2025-11-17T19:03:50Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Gender/sex terms&#039;&#039;&#039; - No humans here, do not use man/woman or words derived from either. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* &#039;&#039;&#039;Transgender/Nonbinary, etc.&#039;&#039;&#039; - Yes, every species with gender has these concepts somewhere. Different species have different practices regarding these situations. Species without sexual/gender differentiation do not experience these or experience these in an entirely different way from standard.&lt;br /&gt;
While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands/Feet&#039;&#039;&#039; - Ideally, use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** That said, if you can&#039;t go without using hand/foot without making it extremely awkward, go ahead and ignore this.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Time/Calendar&#039;&#039;&#039; - Use as is appropriate to the culture of the setting.&lt;br /&gt;
** Use &#039;&#039;&#039;years, months, weeks, days, hours, minutes, seconds&#039;&#039;&#039; as can be most closely translated; it&#039;s preferable not to use neologisms for these as readers prefer familiar terms to organize information. In case there is a discrepancy between two cultures, just note it.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;background-color:#ced3d7;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;font-style:italic; font-weight:bold;&amp;quot;&lt;br /&gt;
! Culture&lt;br /&gt;
! Clock&lt;br /&gt;
! Format&lt;br /&gt;
! Rollover (Hour Zero)&lt;br /&gt;
! Week&lt;br /&gt;
! Month&lt;br /&gt;
! Year&lt;br /&gt;
! Approx. Relative Time&lt;br /&gt;
! Additional terms&lt;br /&gt;
|- style=&amp;quot;background-color:#ecf4ff;&amp;quot;&lt;br /&gt;
| Lio Empire&lt;br /&gt;
| 20 hour, 100 minute, no AM/PM&lt;br /&gt;
| HH:MM&lt;br /&gt;
| Meridian Sunrise&lt;br /&gt;
| 8 days?&lt;br /&gt;
| Varies&lt;br /&gt;
| ?&lt;br /&gt;
| 1 lio year = 8 krakun months&lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#ffffc7;&amp;quot;&lt;br /&gt;
| Krakun Empire&lt;br /&gt;
| 24 hour, 60 minute, no AM/PM&lt;br /&gt;
| HHMM&lt;br /&gt;
| Meridian Midnight&lt;br /&gt;
| 5 days?&lt;br /&gt;
| 30 days&lt;br /&gt;
| 12 months, 360 days exactly&lt;br /&gt;
| 1 krakun year = 0.95 earth year&lt;br /&gt;
| Major-year = 60 years&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=733</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=733"/>
		<updated>2025-11-17T18:51:41Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Gender/sex terms&#039;&#039;&#039; - No humans here, do not use man/woman or words derived from either. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* &#039;&#039;&#039;Transgender/Nonbinary, etc.&#039;&#039;&#039; - Yes, every species with gender has these concepts somewhere. Different species have different practices regarding these situations. Species without sexual/gender differentiation do not experience these or experience these in an entirely different way from standard.&lt;br /&gt;
While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Time/Calendar&#039;&#039;&#039; - Use as is appropriate to the culture of the setting.&lt;br /&gt;
** Use &#039;&#039;&#039;years, months, weeks, days, hours, minutes, seconds&#039;&#039;&#039; as can be most closely translated; it&#039;s preferable not to use neologisms for these as readers prefer familiar terms to organize information. In case there is a discrepancy between two cultures, just note it.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;background-color:#ced3d7;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;font-style:italic; font-weight:bold;&amp;quot;&lt;br /&gt;
! Culture&lt;br /&gt;
! Clock&lt;br /&gt;
! Format&lt;br /&gt;
! Rollover (Hour Zero)&lt;br /&gt;
! Week&lt;br /&gt;
! Month&lt;br /&gt;
! Year&lt;br /&gt;
! Approx. Relative Time&lt;br /&gt;
! Additional terms&lt;br /&gt;
|- style=&amp;quot;background-color:#ecf4ff;&amp;quot;&lt;br /&gt;
| Lio Empire&lt;br /&gt;
| 20 hour, 100 minute, no AM/PM&lt;br /&gt;
| HH:MM&lt;br /&gt;
| Meridian Sunrise&lt;br /&gt;
| 8 days?&lt;br /&gt;
| Varies&lt;br /&gt;
| ?&lt;br /&gt;
| 1 lio year = 8 krakun months&lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#ffffc7;&amp;quot;&lt;br /&gt;
| Krakun Empire&lt;br /&gt;
| 24 hour, 60 minute, no AM/PM&lt;br /&gt;
| HHMM&lt;br /&gt;
| Meridian Midnight&lt;br /&gt;
| 5 days?&lt;br /&gt;
| 30 days&lt;br /&gt;
| 12 months, 360 days exactly&lt;br /&gt;
| 1 krakun year = 0.95 earth year&lt;br /&gt;
| Major-year = 60 years&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=732</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=732"/>
		<updated>2025-11-17T18:06:33Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Time/Calendar&#039;&#039;&#039; - Use as is appropriate to the culture of the setting.&lt;br /&gt;
** Use &#039;&#039;&#039;years, months, weeks, days, hours, minutes, seconds&#039;&#039;&#039; as can be most closely translated; it&#039;s preferable not to use neologisms for these as readers prefer familiar terms to organize information. In case there is a discrepancy between two cultures, just note it.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;background-color:#ced3d7;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;font-style:italic; font-weight:bold;&amp;quot;&lt;br /&gt;
! Culture&lt;br /&gt;
! Clock&lt;br /&gt;
! Format&lt;br /&gt;
! Rollover (Hour Zero)&lt;br /&gt;
! Week&lt;br /&gt;
! Month&lt;br /&gt;
! Year&lt;br /&gt;
! Approx. Relative Time&lt;br /&gt;
! Additional terms&lt;br /&gt;
|- style=&amp;quot;background-color:#ecf4ff;&amp;quot;&lt;br /&gt;
| Lio Empire&lt;br /&gt;
| 20 hour, 100 minute, no AM/PM&lt;br /&gt;
| HH:MM&lt;br /&gt;
| Meridian Sunrise&lt;br /&gt;
| 8 days?&lt;br /&gt;
| Varies&lt;br /&gt;
| ?&lt;br /&gt;
| 1 lio year = 8 krakun months&lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#ffffc7;&amp;quot;&lt;br /&gt;
| Krakun Empire&lt;br /&gt;
| 24 hour, 60 minute, no AM/PM&lt;br /&gt;
| HHMM&lt;br /&gt;
| Meridian Midnight&lt;br /&gt;
| 5 days?&lt;br /&gt;
| 30 days&lt;br /&gt;
| 12 months, 360 days exactly&lt;br /&gt;
| 1 krakun year = 0.95 earth year&lt;br /&gt;
| Major-year = 60 years&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=731</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=731"/>
		<updated>2025-11-17T18:05:08Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Time/Calendar&#039;&#039;&#039; - Use as is appropriate to the culture of the setting.&lt;br /&gt;
** Use &#039;&#039;&#039;years, months, weeks, days, hours, minutes, seconds&#039;&#039;&#039; as can be most closely translated; it&#039;s preferable not to use neologisms for these as readers prefer familiar terms to organize information. In case there is a discrepancy between two cultures, just note it.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;background-color:#ced3d7;&amp;quot;&lt;br /&gt;
|- style=&amp;quot;font-style:italic; font-weight:bold;&amp;quot;&lt;br /&gt;
! Culture&lt;br /&gt;
! Clock&lt;br /&gt;
! Format&lt;br /&gt;
! Rollover (Hour Zero)&lt;br /&gt;
! Week&lt;br /&gt;
! Month&lt;br /&gt;
! Year&lt;br /&gt;
! Approx. Relative Time&lt;br /&gt;
! Additional terms&lt;br /&gt;
|- style=&amp;quot;background-color:#ecf4ff;&amp;quot;&lt;br /&gt;
| Lio Empire&lt;br /&gt;
| 20 hour, no AM/PM&lt;br /&gt;
| HH:MM&lt;br /&gt;
| Meridian Sunrise&lt;br /&gt;
| 8 days?&lt;br /&gt;
| Varies&lt;br /&gt;
| ?&lt;br /&gt;
| 1 lio year = 8 krakun months&lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#ffffc7;&amp;quot;&lt;br /&gt;
| Krakun Empire&lt;br /&gt;
| 24 hour, no AM/PM&lt;br /&gt;
| HHMM&lt;br /&gt;
| Meridian Midnight&lt;br /&gt;
| 5 days?&lt;br /&gt;
| 30 days&lt;br /&gt;
| 12 months, 360 days exactly&lt;br /&gt;
| 1 krakun year = 0.95 earth year&lt;br /&gt;
| Major-year = 60 years&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=730</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=730"/>
		<updated>2025-11-17T17:45:30Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Typesetting */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
** It&#039;s better not to use a word processor&#039;s &#039;&#039;horizontal line&#039;&#039; for a scene break as this might not be find/replaceable in their own software, for whatever reason.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=729</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=729"/>
		<updated>2025-11-17T17:44:37Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Typesetting */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* &#039;&#039;&#039;All Caps&#039;&#039;&#039; - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* &#039;&#039;&#039;Bold&#039;&#039;&#039; - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* &#039;&#039;&#039;Drop Caps&#039;&#039;&#039; - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Italics&#039;&#039;&#039; - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* &#039;&#039;&#039;Scene break&#039;&#039;&#039; - Use a separator like ### to indicate a scene break in the middle of a chapter; it is more clear than just three returns in a row. Use anything while drafting so long as it&#039;s consistent.&lt;br /&gt;
* &#039;&#039;&#039;Small Caps&#039;&#039;&#039; - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* &#039;&#039;&#039;Underline&#039;&#039;&#039; - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=728</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=728"/>
		<updated>2025-11-17T17:41:21Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* =Terminology */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology===&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=727</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=727"/>
		<updated>2025-11-17T17:41:00Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Transcription */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology==&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish. Differentiate characters by register and light use of inflections.&lt;br /&gt;
* &#039;&#039;&#039;Languages&#039;&#039;&#039; - If the character cannot speak the language being spoken, it is perfectly appropriate to skip over it. Don&#039;t do what I did in &#039;&#039;Traitors, Thieves and Liars&#039;&#039; and have an untranslated dialogue at length unless it&#039;s meant to be read into, and even then you should still probably skip the gibberish.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
* &#039;&#039;&#039;Untranslated words&#039;&#039;&#039; - Don&#039;t call a rabbit a smeerp. You &#039;&#039;might&#039;&#039; get away with calling a smeerp a rabbit if it has enough rabbit-like characteristics, but it should still get some kind of differentiator to not put &amp;quot;literal earth bunny&amp;quot; in their head. &lt;br /&gt;
** If a word a character is using is difficult to translate, you can use their word for it, or a near-equivalent if it is explained to the reader.&lt;br /&gt;
** Only italicize an untranslated word if it is a word that the POV character doesn&#039;t recognize.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=726</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=726"/>
		<updated>2025-11-17T17:34:06Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology==&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* &#039;&#039;&#039;Nose&#039;&#039;&#039; - Functional, but consider snout, muzzle, beak, etc. as appropriate.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* &#039;&#039;&#039;Accents&#039;&#039;&#039; - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
* &#039;&#039;&#039;Puns&#039;&#039;&#039; - As many as you can! Make Gre7g suffer!&lt;br /&gt;
** No seriously, even though these characters are technically speaking in a non-English language, do not get hung up on whether or not a term rhymes, can be made into a pun, or another play on words. Just pretend it works for the language being spoken.&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=725</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=725"/>
		<updated>2025-11-17T17:30:29Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
*** Since neither have an innate concept of gender or sexual roles, they may easily get confused by other characters&#039; genders.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Terminology==&lt;br /&gt;
* &#039;&#039;&#039;Hands&#039;&#039;&#039; - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* &#039;&#039;&#039;Measurements&#039;&#039;&#039; - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=724</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=724"/>
		<updated>2025-11-17T17:28:27Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Transcription */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=723</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=723"/>
		<updated>2025-11-17T17:27:02Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Pronouns, Gender and Sex===&lt;br /&gt;
* &#039;&#039;&#039;Man/Woman&#039;&#039;&#039; - No humans here. Use male, female, enby, or species name. You can use terms like &#039;&#039;lady&#039;&#039; for the vibes, but do so sparingly or try to find an alternative, not as a replacement term.&lt;br /&gt;
* &#039;&#039;&#039;Mate&#039;&#039;&#039; - For most species, use &#039;&#039;pairbonding&#039;&#039; for marriage and &#039;&#039;mate&#039;&#039; for husband/wife.&lt;br /&gt;
** Exception: Montrose still use &amp;quot;marriage&amp;quot; and &amp;quot;husband/wife&amp;quot;.&lt;br /&gt;
* While normally you simply use pronouns as you see fit, various traditions and species in the setting have specific focuses.&lt;br /&gt;
** &#039;&#039;Ringel&#039;&#039;: No gender, &#039;&#039;technically&#039;&#039;. Ringel in their own speech do not use gendered language, but rather might directly refer to sexual characteristics, and it is not seen as crude. This can still be transcribed as &#039;&#039;male/female/enby&#039;&#039; where appropriate. Use pronouns for ringel based on vibes. Ringel who change sex might not even change pronouns, but they might.&lt;br /&gt;
*** Use &#039;&#039;mother&#039;&#039;/&#039;&#039;father&#039;&#039; in a technical sense--the one who gave birth is a mother, the one who sired is a father, even if they have changed sexual characteristics since then.&lt;br /&gt;
** &#039;&#039;Ssarith&#039;&#039; and &#039;&#039;Turek&#039;&#039;: No gender. Turek have both male and female characteristics. Ssarith are fully agender. Neither differentiate between roles.&lt;br /&gt;
*** Within ssarith/turek POV, choose one pronoun for ssarith/turek and stick with it to indicate uniformity in gender. You can use he, she, or they.&lt;br /&gt;
**** If you have multiple of the species, it&#039;s sometimes better to avoid &#039;&#039;they&#039;&#039; due to plurality confusion.&lt;br /&gt;
**** Ssarith and turek do not need to refer to each other by the same pronoun; they are outsiders to one another.&lt;br /&gt;
*** Outside of ssarith/turek POV, go by the POV character&#039;s local conventions or vibes. Non-ssarith/turek might still refer to different members by different pronouns.&lt;br /&gt;
**** For instance, montrose local conventions are to perceive ssarith and turek as feminine, so would trend toward using &amp;quot;she&amp;quot; exclusively for both species.&lt;br /&gt;
** &#039;&#039;Ulayavi&#039;&#039;: Gender is chosen at age of majority and &#039;&#039;tends&#039;&#039; to reflect sexual roles, but is not exclusive to them.&lt;br /&gt;
*** Children are either referred to genderlessly or by the gender they expect to pick.&lt;br /&gt;
*** Ulayavi will typically seek to change their sexual characteristics to fit their chosen gender, but don&#039;t have to.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Gender for turek and ssarith - Turek and ssarith do not have a concept of gender. That does not mean you have to use they/them. Do it based on the POV character&#039;s vibes. If the POV character is a ssarith or a turek, they&#039;re going to see all members of their own species the same way gender-wise—as in, entirely uniform—so you pick a pronoun and use the same pronoun for that species through the entire thing. They may get confused over someone else&#039;s gender because the concept doesn&#039;t innately register to them.&lt;br /&gt;
&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=721</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=721"/>
		<updated>2025-11-17T16:50:23Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
===Transcription===&lt;br /&gt;
&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
&lt;br /&gt;
* Man/Woman - No humans here. Use male, female, enby, or species name. You can use terms like &amp;quot;lady&amp;quot; for the vibes, but do so sparingly or try to find an alternative.&lt;br /&gt;
&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
===Typesetting===&lt;br /&gt;
&lt;br /&gt;
* All Caps - Use for signage if applicable; otherwise emphasize using italics.&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Drop Caps - Don&#039;t use while drafting, this is final polish formatting.&lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Small Caps - Used to denote the beginning of a chapter or passage depending on layout style, with the first x words put into small caps for visual weight. Don&#039;t use while drafting, this is a final polish formatting.&lt;br /&gt;
* Underline - Underlining is not preferred in general fiction for any reason--traditionally, underlining text in manuscripts told the typesetter to italicize the text. Since now we can just format directly in word processors, there is no need to do this anymore.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=720</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=720"/>
		<updated>2025-11-17T16:37:29Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
==Transcription==&lt;br /&gt;
&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
&lt;br /&gt;
* Man/Woman - No humans here. Use male, female, enby, or species name. You can use terms like &amp;quot;lady&amp;quot; for the vibes, but do so sparingly or try to find an alternative.&lt;br /&gt;
&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Typesetting==&lt;br /&gt;
&lt;br /&gt;
* Bold - At your own risk. In other stories, bold is sometimes used in standalone centered text like reading out signage, but it&#039;s preferred not to use it in-line. &lt;br /&gt;
* Italics - For emphasis, titles (books and ship names, not personal titles), thoughts (without quotations), alternative communiques (lip reading, chemical signals, flash [morse] code). In a line of italics, un-italicize to indicate emphasis.&lt;br /&gt;
** ex: &#039;&#039;We need to infiltrate the&#039;&#039; White Flower II &#039;&#039;in order to  acquire their delicious fruit pies&#039;&#039;, she thought.&lt;br /&gt;
* Underline - At your own risk.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=719</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=719"/>
		<updated>2025-11-17T16:27:32Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* In Alphabetical Order */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
* Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Bolding - At your own risk.&lt;br /&gt;
&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
&lt;br /&gt;
* Italics - For thoughts (without quotations) or alternatively vocalized communiques (whispers, chemical signals, flash [morse] code).&lt;br /&gt;
&lt;br /&gt;
* Man/Woman - No humans here. Use male, female, enby, or species name. You can use terms like &amp;quot;lady&amp;quot; for the vibes, but do so sparingly or try to find an alternative.&lt;br /&gt;
&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesn&#039;t have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
* Underline - At your own risk.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Writing_Guide&amp;diff=718</id>
		<title>Writing Guide</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Writing_Guide&amp;diff=718"/>
		<updated>2025-11-17T16:24:58Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* In Alphabetical Order */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==In Alphabetical Order==&lt;br /&gt;
&lt;br /&gt;
Note: You can always break the rules. Just run it by someone before final drafting.&lt;br /&gt;
&lt;br /&gt;
*Accents - Nothing so heavy as to be indistinguishable from gibberish, unless it&#039;s a language not yet in the translators.&lt;br /&gt;
&lt;br /&gt;
* Bolding - At your own risk.&lt;br /&gt;
&lt;br /&gt;
* Hands - Use paws, claws, or whatever is appropriate to the species over hands. Or if writing an anup, don&#039;t mention them at all, pervert.&lt;br /&gt;
** Exceptions - Words like handed, handling, handsome, handedly, etc. If it&#039;s a handy verb or adjective, probably doesn&#039;t need adjusting.&lt;br /&gt;
*** Exceptions to the exceptions - Punning is pawesome.&lt;br /&gt;
&lt;br /&gt;
* Italics - For thoughts (without quotations) or alternatively vocalized communiques (whispers, chemical signals, flash [morse] code).&lt;br /&gt;
&lt;br /&gt;
* Man/Woman - No humans here. Use male, female, enby, or species name. You can use terms like &amp;quot;lady&amp;quot; for the vibes, but do so sparingly or try to find an alternative.&lt;br /&gt;
&lt;br /&gt;
* Measurements - Metric system is preferred.&lt;br /&gt;
** Exceptions - Beer can be measured in pints because metric doesnt have a convenient term for 470ml.&lt;br /&gt;
&lt;br /&gt;
* Nose - Functional, but consider snouts, snoots, proboscis, or even antennae as appropriate.&lt;br /&gt;
&lt;br /&gt;
* Puns - As many as you can! Make Gre7g suffer!&lt;br /&gt;
&lt;br /&gt;
* Underline - At your own risk.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=663</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=663"/>
		<updated>2025-08-15T17:43:52Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Governments and Alliances */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire and Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ====&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
=== Krakun Imperial Navy ===&lt;br /&gt;
=== Anupian United Military ===&lt;br /&gt;
=== Lio Imperial Navy ===&lt;br /&gt;
=== The King-in-Exile&#039;s Privateer Forces ===&lt;br /&gt;
&lt;br /&gt;
== Religions ==&lt;br /&gt;
=== Jiahnism, or The Four Prophets ===&lt;br /&gt;
&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=662</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=662"/>
		<updated>2025-08-15T17:42:36Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Militaries, Militias, and Mercenaries */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire and Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== The Kyacaotl Government ===&lt;br /&gt;
Needs official name!&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ====&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
=== Krakun Imperial Navy ===&lt;br /&gt;
=== Anupian United Military ===&lt;br /&gt;
=== Lio Imperial Navy ===&lt;br /&gt;
=== The King-in-Exile&#039;s Privateer Forces ===&lt;br /&gt;
&lt;br /&gt;
== Religions ==&lt;br /&gt;
=== Jiahnism, or The Four Prophets ===&lt;br /&gt;
&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=661</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=661"/>
		<updated>2025-08-15T17:38:30Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Religions */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire and Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== The Kyacaotl Government ===&lt;br /&gt;
Needs official name!&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ====&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
=== Jiahnism, or The Four Prophets ===&lt;br /&gt;
&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=660</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=660"/>
		<updated>2025-08-15T17:36:57Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Governments and Alliances */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire and Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== The Kyacaotl Government ===&lt;br /&gt;
Needs official name!&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ====&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=659</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=659"/>
		<updated>2025-08-15T17:31:50Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* = Geordian Outworlds */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire ===&lt;br /&gt;
=== The Lio Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== The Kyacaotl Government ===&lt;br /&gt;
Needs official name!&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ====&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=658</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=658"/>
		<updated>2025-08-15T17:31:42Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Governments and Alliances */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
=== The Krakun Empire ===&lt;br /&gt;
=== The Lio Empire ===&lt;br /&gt;
=== The Lio Alliance ===&lt;br /&gt;
=== The Turek Confederation ===&lt;br /&gt;
=== The Ringel Government-in-Exile ===&lt;br /&gt;
=== The Kyacaotl Government ===&lt;br /&gt;
Needs official name!&lt;br /&gt;
=== Independent and Neutral Planets and Stations ===&lt;br /&gt;
==== Geordian Outworlds ===&lt;br /&gt;
&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=657</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=657"/>
		<updated>2025-08-15T17:24:50Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Planetary Acquisitions, Inc. */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts. All of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=656</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=656"/>
		<updated>2025-08-15T17:24:21Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole. Despite their close ties with the Imperial War Authority, Planetary Acquisitions goes out of its way to not get involved in military-scale conflicts; all of its underhanded dealings are performed with a limited amount of armed forces; any large-scale conflicts are handled by the War Authority or Orbital Defense.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=655</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=655"/>
		<updated>2025-08-15T17:19:20Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Companies and Corporations */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
=== Planetary Acquisitions, Inc. ===&lt;br /&gt;
Krakuntec-based corporation, originally founded as a private space exploration company, sending krakun out &amp;quot;the long way&amp;quot; before the geordians were discovered and gates integrated into their technologies. Came into prominence very quickly when they expanded their fleet hundreds of times over with slave vessels, multiplying even further with each new species discovered, leading to the current age of galactic expansion. Very tightly-knit with the business of the Empire as a whole.&lt;br /&gt;
&lt;br /&gt;
=== Founder of Worlds Technologies ===&lt;br /&gt;
Rival to Planetary Acquisitions, founded several thousand years after the discovery of gates. Primarily exists in opposition to Planetary Acquisitions in an effort to steal their market share and government contracts. While this animosity could easily boil over into outright conflict, krakun laws against corporate espionage means that any such conflicts must be carried out in absolute secrecy.&lt;br /&gt;
&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=654</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=654"/>
		<updated>2025-08-15T17:07:49Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments and Alliances ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=653</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=653"/>
		<updated>2025-08-15T17:06:35Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
== Militaries, Militias, and Mercenaries ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=652</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=652"/>
		<updated>2025-08-15T17:02:58Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
== Militaries and Militias ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Factions&amp;diff=651</id>
		<title>Factions</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Factions&amp;diff=651"/>
		<updated>2025-08-15T17:02:05Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Governments ==&lt;br /&gt;
== Companies and Corporations ==&lt;br /&gt;
== Religions ==&lt;br /&gt;
== Leagues and Associations ==&lt;br /&gt;
== Multi-species Subcultures ==&lt;br /&gt;
* [[Palowan]]&lt;br /&gt;
* [[Voidies]]&lt;br /&gt;
== Species-specific Subcultures ==&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Races&amp;diff=642</id>
		<title>Races</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Races&amp;diff=642"/>
		<updated>2025-08-14T18:33:51Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;There are many sentient races in the Hayven Celestia universe. With only a few exceptions, most planets that support intelligent life only bring about one form of it, and so unless noted each race has exactly one native homeworld. While intelligent life is relatively rare, the galaxy is a very big place and has been explored for a very long time and so possesses an abundance of examples.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
Image:AnupCS.jpg|Anup&lt;br /&gt;
Image:Arrunian.png|Arrunian&lt;br /&gt;
Image:coosa-sheet.jpg|Coosa&lt;br /&gt;
Image:Geordian.jpg|Geordian&lt;br /&gt;
Image:geroo.jpg|Geroo&lt;br /&gt;
Image:krakun.jpg|Krakun&lt;br /&gt;
Image:Kyacaotl-Sheet.jpg|Kyacaotl&lt;br /&gt;
Image:Lio_Refsheet.jpg|Lio&lt;br /&gt;
Image:ringel-sheet.jpg|Ringel&lt;br /&gt;
Image:Ssarith_Montrose.png|Ssarith and Montrose&lt;br /&gt;
Image:SourangRef.jpeg|Sourang&lt;br /&gt;
Image:Turek-sheet.jpg|Turek&lt;br /&gt;
Image:Hayven_celestia_height_chart.jpg|Species Height Chart&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Canon Species ==&lt;br /&gt;
&#039;&#039;Species which have appeared in published works&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Anup]]&lt;br /&gt;
* Tall (~3m) canid race with long ears and uniformly short, dark fur.&lt;br /&gt;
* Bromine atmosphere&lt;br /&gt;
* Find it very impolite (overly intimate) to use hands in direct reference to others, including touching, pointing, or making gestures. Instead, they use rods for such actions.&lt;br /&gt;
* Anup rods are plated with a highly conductive gold alloy and are heavily personalized; since the computer age they encode their rods with a digital signature in lieu of using a pawprint or other method of identification.&lt;br /&gt;
&lt;br /&gt;
[[Arrunian]]&lt;br /&gt;
* Avian race capable of flight. ~4m long, two legs, two wings, walks on talons and &amp;quot;hands&amp;quot; of wings&lt;br /&gt;
* Chlorine atmosphere&lt;br /&gt;
&lt;br /&gt;
[[Coosa]]&lt;br /&gt;
* Tanuki-like species, short, ~1.1m tall. Have very round and bouncy bodies.&lt;br /&gt;
* Ammonia atmosphere&lt;br /&gt;
* Very arboreal&lt;br /&gt;
&lt;br /&gt;
[[Geordian]]&lt;br /&gt;
* Medium-sized (~1.7m) felid race, typically have stripes.&lt;br /&gt;
* Ammonia atmosphere&lt;br /&gt;
* Geordians were the first species to discover how to harness wormhole gates and built a great civilization, but they have since collapsed and are now vassals of the krakun.&lt;br /&gt;
&lt;br /&gt;
[[Geroo]]&lt;br /&gt;
* Medium-sized (~1.8m) kangaroo-like species, but with canine traits.&lt;br /&gt;
* Oxygen atmosphere&lt;br /&gt;
* Typically wear beaded necklaces and tail rings. Often wear strands on their armbands. &lt;br /&gt;
* [[Geroo Religion and Lore]]&lt;br /&gt;
&lt;br /&gt;
[[Hekiru]]&lt;br /&gt;
* Small-sized (~1.2m - 1.5m) vulpine race.&lt;br /&gt;
* Sulfur atmosphere&lt;br /&gt;
* Largely non-verbal. Native Hekirunese is solely sign language with occasional chirps and chitters. Nevertheless, they can be taught to speak other languages.&lt;br /&gt;
&lt;br /&gt;
[[Ittriani]]&lt;br /&gt;
&lt;br /&gt;
[[Krakun]]&lt;br /&gt;
* Absolutely enormous (~12m to shoulder, ~36m to tail) draconic race that walks on all fours known for being resilient, intelligent, and very very long-lived.&lt;br /&gt;
* Sulfur atmosphere&lt;br /&gt;
&lt;br /&gt;
[[Kyacaotl]]&lt;br /&gt;
* Canine race standing around 1.8 meters in height. &lt;br /&gt;
* Chlorine atmopshere&lt;br /&gt;
* Wear masks to conceal faces as a cultural religious tradition, those without masks are seen as outcasts or slaves.&lt;br /&gt;
* Worship a goddess named Alamanotl, there are smaller children gods of hers which are also revered such as Shino (Wisdom) and Shaolyotl.&lt;br /&gt;
&lt;br /&gt;
[[Lio]]&lt;br /&gt;
* Tall (~2.2m) leonine race that grows famously long manes.&lt;br /&gt;
* Oxygen Atmosphere&lt;br /&gt;
&lt;br /&gt;
[[Meeri]]&lt;br /&gt;
&lt;br /&gt;
[[Mysa]]&lt;br /&gt;
* Very small (~0.4m) mouse-like race, usually living within the slums of Liotec.&lt;br /&gt;
* Oxygen atmosphere&lt;br /&gt;
&lt;br /&gt;
[[Ringel]]&lt;br /&gt;
* Short (~1.4m) lemurian race with long ringed tails.&lt;br /&gt;
* Oxygen atmosphere&lt;br /&gt;
* Known galaxy-wide for being extremely open in regards to sex&lt;br /&gt;
&lt;br /&gt;
[[Ssarith]]&lt;br /&gt;
* Very tall (~4.5m at rest, ~13.5m head to tailtip) naga-like species.&lt;br /&gt;
* Carbon atmosphere&lt;br /&gt;
* The &amp;quot;ss&amp;quot; is sharp, and their species name is properly written as ßarith. (you do not actually need to do this)&lt;br /&gt;
&lt;br /&gt;
[[Sourang]]&lt;br /&gt;
* Long-bodied species (~3.7m tall) largely considered vermin by the krakun, but in actuality fully intelligent and civilized.&lt;br /&gt;
* Native atmosphere irrelevant--sourang can adapt their bodies to live in any atmosphere.&lt;br /&gt;
* Able to modify their own DNA.&lt;br /&gt;
&lt;br /&gt;
[[Turek]]&lt;br /&gt;
* Mysterious saurian race (~3.6m tall) known largely by reputation, enemy of the krakun&lt;br /&gt;
* Fluorine atmosphere&lt;br /&gt;
&lt;br /&gt;
[[Ulayavi]]&lt;br /&gt;
*Pangoloid race. Average 1 meter tall, with 1 meter tongue and tail length. Weighty enough that walking requires a crouched position.&lt;br /&gt;
*Covered in keratinous scales, often painted either as art or to communicate stories and achievements. &lt;br /&gt;
*Tails are long enough in length to allow full coverage when curled and rolling for movement.&lt;br /&gt;
*Increased resistance to disorientation as an adaptation for rolling.&lt;br /&gt;
*Oxygen breathing. Tolerant to gravity up to 1.5 Galactic Normal.&lt;br /&gt;
&lt;br /&gt;
[[Umbran]]&lt;br /&gt;
* Ursine species (~3.4m but with great variation in height)&lt;br /&gt;
* Oxygen atmosphere&lt;br /&gt;
&lt;br /&gt;
== Established Species ==&lt;br /&gt;
&#039;&#039;Species which have appeared in unpublished works&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
[[Katakori]]&lt;br /&gt;
* &amp;quot;Tree squirrel&amp;quot; sapient species.&lt;br /&gt;
&lt;br /&gt;
[[Montrose]]&lt;br /&gt;
* Moongose-like species. Males are ~1.5m tall, females are ~2.1m tall.&lt;br /&gt;
* Carbon atmosphere&lt;br /&gt;
* Female-dominated species, though males outnumber females 2-to-1&lt;br /&gt;
&lt;br /&gt;
[[Polatosha]]&lt;br /&gt;
* &amp;quot;Flying squirrel&amp;quot; sapient species.&lt;br /&gt;
&lt;br /&gt;
[[Tryonn]]&lt;br /&gt;
* Fuzzy shark species. No set size; size is instead based on their diet, but military service usually pegs adults around ~2m in height&lt;br /&gt;
* Chlorine atmosphere&lt;br /&gt;
* Tryonn spend the majority of their time in the water and can breathe water while swimming; they prefer this to living on land.&lt;br /&gt;
&lt;br /&gt;
== Proposed Species ==&lt;br /&gt;
&lt;br /&gt;
[[Fisi]]&lt;br /&gt;
&lt;br /&gt;
[[Haske]]&lt;br /&gt;
*sabertooth tiger race.&lt;br /&gt;
*medium-sized, long furred, and adapted to live in frigid environments&lt;br /&gt;
&lt;br /&gt;
[[Vrinx]]&lt;br /&gt;
&lt;br /&gt;
[[Ystryx]]&lt;br /&gt;
* Porcupine race&lt;br /&gt;
* 1-2.5 meters in height.&lt;br /&gt;
* Quills can grow up to a meter long and are seen as a status symbol in the community&lt;br /&gt;
&lt;br /&gt;
==Terminology==&lt;br /&gt;
&#039;&#039;See [[Cultural Items and Terms]]&#039;&#039;&lt;br /&gt;
&lt;br /&gt;
==Atmospheric Compatibility==&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|- style=&amp;quot;font-weight:bold; background-color:#c0c0c0;&amp;quot;&lt;br /&gt;
! Atmosphere Types&lt;br /&gt;
! Oxygen&lt;br /&gt;
! Ammonia&lt;br /&gt;
! Bromine&lt;br /&gt;
! Carbon&lt;br /&gt;
! Chlorine&lt;br /&gt;
! Fluorine&lt;br /&gt;
! Sulfur&lt;br /&gt;
|-&lt;br /&gt;
| Geroo&lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Lio&lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Mysa&lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Ringel&lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Umbran&lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|- style=&amp;quot;background-color:#fe0000;&amp;quot;&lt;br /&gt;
| style=&amp;quot;background-color:#efefef;&amp;quot; | Coosa&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
|- style=&amp;quot;background-color:#fe0000;&amp;quot;&lt;br /&gt;
| style=&amp;quot;background-color:#efefef;&amp;quot; | Geordian&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Anup&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
|- style=&amp;quot;background-color:#fe0000;&amp;quot;&lt;br /&gt;
| style=&amp;quot;background-color:#efefef;&amp;quot; | Montrose&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|- style=&amp;quot;background-color:#fe0000;&amp;quot;&lt;br /&gt;
| style=&amp;quot;background-color:#efefef;&amp;quot; | Ssarith&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
|-&lt;br /&gt;
| Arrunian&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Kyacaotl&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Tryonn&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
|- style=&amp;quot;background-color:#fffc9e;&amp;quot;&lt;br /&gt;
| style=&amp;quot;background-color:#efefef;&amp;quot; | Turek&lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| &lt;br /&gt;
| &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Hekiru&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fe0000;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| Krakun&lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#fffc9e;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#67fd9a;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#ffcc67;&amp;quot; | &lt;br /&gt;
| style=&amp;quot;background-color:#68cbd0;&amp;quot; | &lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; style=&amp;quot;background-color:#68cbd0;&amp;quot; | Native/Compatible  Does not necessarily mean NO issues, but issues tend to be minor (low/excessive saturation, atmospheric pressure differences, etc)&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; style=&amp;quot;background-color:#67fd9a;&amp;quot; | Temporarily Survivable  Cannot breathe fully, but will not choke instantly; can survive anywhere between minutes and hours. Eye and open wound contact with atmosphere is a non-issue.&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; style=&amp;quot;background-color:#fffc9e;&amp;quot; | Non-Breathable, Full Contact Okay  Rebreather only is fine, contact with the atmosphere is not (too) dangerous for long periods of time. Eye contact and open wounds wont cause too much issue&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; style=&amp;quot;background-color:#ffcc67;&amp;quot; | Non-Breathable, Skin Contact Okay  Full face mask required at minimum, can cause serious issues on contact with eyes, open wounds&lt;br /&gt;
|-&lt;br /&gt;
| colspan=&amp;quot;8&amp;quot; style=&amp;quot;background-color:#fe0000;&amp;quot; | Contact Dangerous  Must wear full environment suit, skin contact will immediately or very quickly become an issue&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Notes on atmospheric compatibility ===&lt;br /&gt;
For purposes of simplicity, atmospheres settle into a number of &amp;quot;types&amp;quot;. While these types are not precisely exact, they are close enough to allow some species to share atmospheres. Most atmospheres have a mixture of oxygen and inert gas (usually nitrogen) in their chemistry. The listed chemical or element is &#039;&#039;not&#039;&#039; the raw elemental chemical--it is just the basis by which the rest of the atmosphere is built. For instance, while elemental chlorine is very dangerous for all sorts of reasons, atmospheric chlorine is more-or-less like an overzealous pool cleaner.&lt;br /&gt;
&lt;br /&gt;
Also note these divisions are not the full story. For instance, while sulfuric atmosphere contact is bad for most species, geroo experience it worse than others--while other species will experience burns and hair loss after prolonged contact, geroo will experience this almost immediately. Similarly, while most species can &amp;quot;breathe&amp;quot; oxygen atmospheres for a few minutes, krakun can survive in these atmospheres for multiple hours.&lt;br /&gt;
&lt;br /&gt;
Atmospheres are not the only issue, either. Water from these respective environments are different--the tryonn, being a largely water-based species, also will have similar issues with breathing the water of other atmospheres. For the most part, water from non-compatible atmospheres is poisoned, either minorly or majorly, and would need to be &amp;quot;purified&amp;quot; to be drinkable for species from other atmospheres.&lt;br /&gt;
&lt;br /&gt;
Surgery is utilised to overcome limited atmospheric issues. While there is no specified limit, canon surgery workarounds exist up to the &#039;Non-Breathable, Full Contact Okay&#039; category for logical reasons of contact issues. Genetic modification technology is not enough to make another species compatible, except explicitly for the sourang, which is intended to be the exception and not the norm. Read the species to learn more. Surgery has so far included preventative to mitigate exposure for &#039;Non-Breathable, Full Contact Okay&#039;, and supplementing for &#039;Temporarily Survivable&#039; atmosphere, where the atmosphere lacks the required compounds for survival.&lt;br /&gt;
&lt;br /&gt;
Food is another matter entirely. Some amino acids are universal. Some foods, like javea, can be shared across multiple species, but a good bulk of foods are specific for individual species. It is possible to find krakun food that is edible for geroo, but the more incompatible the atmospheres, the rarer the potential food sources get.&lt;br /&gt;
&lt;br /&gt;
* Some atmosphere types proposed but not used yet: Methane, Phosphorous&lt;br /&gt;
&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=626</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=626"/>
		<updated>2025-06-23T15:36:51Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Discord Server */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story, using the same number of spaces after a period (ideally one but some people still do two), etc.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. (Creators/maintainers have been noted at the top of each species&#039; individual pages) While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Even with bigotry aside, thinly veiling a species or situation as a specific earth culture is not recommended; while earth cultures (past present and future) are a great source of inspiration and variety is very much encouraged, it&#039;s suggested that you mix and match concepts where possible to prevent running too close to undesirable parallels.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/vS6WqvPR discord] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=625</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=625"/>
		<updated>2025-06-23T15:35:17Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story, using the same number of spaces after a period (ideally one but some people still do two), etc.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. (Creators/maintainers have been noted at the top of each species&#039; individual pages) While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Even with bigotry aside, thinly veiling a species or situation as a specific earth culture is not recommended; while earth cultures (past present and future) are a great source of inspiration and variety is very much encouraged, it&#039;s suggested that you mix and match concepts where possible to prevent running too close to undesirable parallels.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/vS6WqvPR] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Lio&amp;diff=624</id>
		<title>Lio</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Lio&amp;diff=624"/>
		<updated>2025-06-11T23:19:44Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Religion and Culture */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Lio_Refsheet.jpg|thumb|right]]&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;br /&gt;
&lt;br /&gt;
The lio were developed by Rick Griffin. They were first mentioned in the short story &#039;&#039;Ten Thousand Miles Up&#039;&#039; and had their first appearance in &#039;&#039;Fair Trade&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Writing for Lio==&lt;br /&gt;
&lt;br /&gt;
When writing for lio, refer to the pinned species sheet. For everything else, please keep the following facts in mind. &lt;br /&gt;
&lt;br /&gt;
===Religion and Culture===&lt;br /&gt;
* Lio are highly multicultural. The lio themselves have &#039;&#039;many&#039;&#039; traditions from many cultures--some more reserved and some more liberal. This is one of the factors that has allowed lio to integrate so many other species into their alliance, though their generosity has limits.&lt;br /&gt;
* Some things are near-universal across all lio cultures, however. For one, they have a (state-approved) world religion called Jiahnism--a combination of four major religions into one. This has been the dominant form of religion for several thousand years and is not seen as a form of cultural domination by the lio.&lt;br /&gt;
** In fact, lio prefer to frame &#039;&#039;all&#039;&#039; religions as fitting under the umbrella of Jiahnism. This has caused some friction, as other species (especially the [[mysa]]) &#039;&#039;do&#039;&#039; feel like their culture is being overwritten by lio culture.&lt;br /&gt;
** The four branches of Jiahnism are (pending canonicity):&lt;br /&gt;
*** The Enlightened One: religions of asceticism and knowledge.&lt;br /&gt;
*** The Blessed Speaker: religions of joy and revelry.&lt;br /&gt;
*** She Who Was Consumed: religions of sorrow and hope.&lt;br /&gt;
*** Nephal of the Seven Branches: religions of prudence and pragmatism.&lt;br /&gt;
* Lio pride themselves on physical prowess. They are not afraid to get rowdy or physical with one another and have a large variety of sports, combat and otherwise. Even lio who could be classified as nerds tend to be highly active and physical.&lt;br /&gt;
* Lio cities are typically very clean and well-designed... at least, the lio parts of them are.&lt;br /&gt;
&lt;br /&gt;
===Military and the War===&lt;br /&gt;
* The lio take pride in resisting the krakun for 1200 years--they are &#039;&#039;very&#039;&#039; adamant about never surrendering.&lt;br /&gt;
* The lio do not have a universal draft. Nevertheless, pride and honor compel thousands and thousands of young lio to join the military every year, and many choose to stay long past their minimum service time.&lt;br /&gt;
* While the lio military prefers to operate on its own with lio soldiers only, they have found use in integrating other species into their ranks. Mysa, for example, serve as engineers among many of their ships as their small size makes them ideal for navigating tight and cramped corridors, allowing ships to be built with much leaner specifications.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Lio&amp;diff=623</id>
		<title>Lio</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Lio&amp;diff=623"/>
		<updated>2025-06-11T23:19:07Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Religion and Culture */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Lio_Refsheet.jpg|thumb|right]]&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;br /&gt;
&lt;br /&gt;
The lio were developed by Rick Griffin. They were first mentioned in the short story &#039;&#039;Ten Thousand Miles Up&#039;&#039; and had their first appearance in &#039;&#039;Fair Trade&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Writing for Lio==&lt;br /&gt;
&lt;br /&gt;
When writing for lio, refer to the pinned species sheet. For everything else, please keep the following facts in mind. &lt;br /&gt;
&lt;br /&gt;
===Religion and Culture===&lt;br /&gt;
* Lio are highly multicultural. The lio themselves have &#039;&#039;many&#039;&#039; traditions from many cultures--some more reserved and some more liberal. This is one of the factors that has allowed lio to integrate so many other species into their alliance, though their generosity has limits.&lt;br /&gt;
* Some things are near-universal across all lio cultures, however. For one, they have a (state-approved) world religion called Jiahnism--a combination of four major religions into one. This has been the dominant form of religion for several thousand years and is not seen as a form of cultural domination by the lio.&lt;br /&gt;
** In fact, lio prefer to frame &#039;&#039;all&#039;&#039; religions as fitting under the umbrella of Jiahnism. This has caused some friction, as other species (especially the [[mysa]]) &#039;&#039;do&#039;&#039; feel like their culture is being overwritten by lio culture.&lt;br /&gt;
** The four branches of Jiahnism are (pending canonicity):&lt;br /&gt;
*** The Enlightened One: religions of asceticism.&lt;br /&gt;
*** The Blessed Speaker: religions of joy and revelry.&lt;br /&gt;
*** She Who Was Consumed: religions of sorrow and hope.&lt;br /&gt;
*** Nephal of the Seven Branches: religions of prudence and pragmatism.&lt;br /&gt;
* Lio pride themselves on physical prowess. They are not afraid to get rowdy or physical with one another and have a large variety of sports, combat and otherwise. Even lio who could be classified as nerds tend to be highly active and physical.&lt;br /&gt;
* Lio cities are typically very clean and well-designed... at least, the lio parts of them are.&lt;br /&gt;
&lt;br /&gt;
===Military and the War===&lt;br /&gt;
* The lio take pride in resisting the krakun for 1200 years--they are &#039;&#039;very&#039;&#039; adamant about never surrendering.&lt;br /&gt;
* The lio do not have a universal draft. Nevertheless, pride and honor compel thousands and thousands of young lio to join the military every year, and many choose to stay long past their minimum service time.&lt;br /&gt;
* While the lio military prefers to operate on its own with lio soldiers only, they have found use in integrating other species into their ranks. Mysa, for example, serve as engineers among many of their ships as their small size makes them ideal for navigating tight and cramped corridors, allowing ships to be built with much leaner specifications.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Lio&amp;diff=619</id>
		<title>Lio</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Lio&amp;diff=619"/>
		<updated>2025-05-18T15:56:30Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Lio_Refsheet.jpg|thumb|right]]&lt;br /&gt;
[[Category:Species in Hayven Celestia]]&lt;br /&gt;
&lt;br /&gt;
The lio were developed by Rick Griffin. They were first mentioned in the short story &#039;&#039;Ten Thousand Miles Up&#039;&#039; and had their first appearance in &#039;&#039;Fair Trade&#039;&#039;.&lt;br /&gt;
&lt;br /&gt;
==Writing for Lio==&lt;br /&gt;
&lt;br /&gt;
When writing for lio, refer to the pinned species sheet. For everything else, please keep the following facts in mind. &lt;br /&gt;
&lt;br /&gt;
===Religion and Culture===&lt;br /&gt;
* Lio are highly multicultural. The lio themselves have &#039;&#039;many&#039;&#039; traditions from many cultures--some more reserved and some more liberal. This is one of the factors that has allowed lio to integrate so many other species into their alliance, though their generosity has limits.&lt;br /&gt;
* Some things are near-universal across all lio cultures, however. For one, they have a (state-approved) world religion called Jiahnism--a combination of four major religions into one. This has been the dominant form of religion for several thousand years and is not seen as a form of cultural domination by the lio.&lt;br /&gt;
** In fact, lio prefer to frame &#039;&#039;all&#039;&#039; religions as fitting under the umbrella of Jiahnism. This has caused some friction, as other species (especially the [[mysa]]) &#039;&#039;do&#039;&#039; feel like their culture is being overwritten by lio culture.&lt;br /&gt;
** The four branches of Jiahnism are (pending canonicity):&lt;br /&gt;
*** The Enlightened One: religions of asceticism.&lt;br /&gt;
*** The Blessed Speaker: religions of joy and revelry.&lt;br /&gt;
*** She Who Was Consumed: religions of sorrow.&lt;br /&gt;
*** Nephal of the Seven Branches: religions of prudence and pragmatism.&lt;br /&gt;
* Lio pride themselves on physical prowess. They are not afraid to get rowdy or physical with one another and have a large variety of sports, combat and otherwise. Even lio who could be classified as nerds tend to be highly active and physical.&lt;br /&gt;
* Lio cities are typically very clean and well-designed... at least, the lio parts of them are.&lt;br /&gt;
&lt;br /&gt;
===Military and the War===&lt;br /&gt;
* The lio take pride in resisting the krakun for 1200 years--they are &#039;&#039;very&#039;&#039; adamant about never surrendering.&lt;br /&gt;
* The lio do not have a universal draft. Nevertheless, pride and honor compel thousands and thousands of young lio to join the military every year, and many choose to stay long past their minimum service time.&lt;br /&gt;
* While the lio military prefers to operate on its own with lio soldiers only, they have found use in integrating other species into their ranks. Mysa, for example, serve as engineers among many of their ships as their small size makes them ideal for navigating tight and cramped corridors, allowing ships to be built with much leaner specifications.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Timeline&amp;diff=618</id>
		<title>Timeline</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Timeline&amp;diff=618"/>
		<updated>2025-05-18T15:34:02Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== The Calendar ==&lt;br /&gt;
The calendar used for general reference is the local calendar of Krakuntec Prime. Ignoring variations in relativistic effects, the imperial calendar can be thought of as within 5% of an Earth year (actual amount not yet set). Standard date format is DD-MM-YYYYY KEF (Krakun Empire Foundation). Krakuntec years are forced to be &#039;&#039;&#039;exactly 360 days long&#039;&#039;&#039;, which means that calendar drift, even for Krakuntec Prime, is not uncommon when going by this standard. Most planets will operate by a local calendar, but for translation purposes most species ages are given in KY.&lt;br /&gt;
&lt;br /&gt;
== The Present ==&lt;br /&gt;
&amp;quot;The present&amp;quot; is somewhat nebulous in a series that takes place over several decades, but for reference, the year in which &#039;&#039;The Final Days of the White Flower II&#039;&#039; occurs is 21568 KEF. Most stories are plus or minus a hundred years around this point. Most points of reference are relative to this but are usually only roughly approximated.&lt;br /&gt;
&lt;br /&gt;
The current era is considered an &#039;&#039;era of discovery&#039;&#039;. Only a few thousand years ago, few species were in contact with one another in general. Even though the krakun had spaceflight for well over 100,000 years, they had not encountered any (or at least many) other intelligent species in their exploration, until they discovered signals from and encountered a geordian outpost. The geordians had invented a marvelous technology called the &#039;&#039;wormhole gate&#039;&#039;, which allowed instantaneous travel between any two locations, provided the slow travel had been performed at least once and a gate constructed at the other end. This caused an explosion in galactic exploration, as the krakun had long desired territorial expansion. While slow at first, the sheer amount of resources that the krakun (and subsequently the lio and other major powers) poured into this project ensured that many, many concurrent missions could happen simultaneously. Aside from pre-krakun geordian exploration missions, The vast majority of species have only known about the existence of others for a few thousand years by this point.&lt;br /&gt;
&lt;br /&gt;
== Timeline ==&lt;br /&gt;
* 400 years ago&lt;br /&gt;
** Gerootec destroyed in a terraforming accident&lt;br /&gt;
* 500 years ago&lt;br /&gt;
** Gerootec discovered by a geordian gateship under command of Planetary Acquisitions.&lt;br /&gt;
* 800 years ago&lt;br /&gt;
** First contact between the krakun and the anup&lt;br /&gt;
* 1200 years ago&lt;br /&gt;
** The official start of the Lio-Krakun War&lt;br /&gt;
* 3000 years ago&lt;br /&gt;
** First contact between the geordians and the krakun, beginning of when gate technology started to spread and the start of the &amp;quot;modern&amp;quot; era of space travel&lt;br /&gt;
* 20,000 years ago&lt;br /&gt;
** The Krakun-AI war&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=617</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=617"/>
		<updated>2025-05-18T15:12:11Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story, using the same number of spaces after a period (ideally one but some people still do two), etc.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. (Creators/maintainers have been noted at the top of each species&#039; individual pages) While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Even with bigotry aside, thinly veiling a species or situation as a specific earth culture is not recommended; while earth cultures (past present and future) are a great source of inspiration and variety is very much encouraged, it&#039;s suggested that you mix and match concepts where possible to prevent running too close to undesirable parallels.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=616</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=616"/>
		<updated>2025-05-18T15:03:44Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Setting Bible */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story, using the same number of spaces after a period (ideally one but some people still do two), etc.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Even with bigotry aside, thinly veiling a species or situation as a specific earth culture is not recommended; while earth cultures (past present and future) are a great source of inspiration and variety is very much encouraged, it&#039;s suggested that you mix and match concepts where possible to prevent running too close to undesirable parallels.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=615</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=615"/>
		<updated>2025-05-18T01:56:09Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story, using the same number of spaces after a period (ideally one but some people still do two), etc.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=614</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=614"/>
		<updated>2025-05-18T01:45:12Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** Consistency means things like, using only curly OR straight quotes in your story.&lt;br /&gt;
*** Do not use the tick mark (`) as an apostrophe (&#039;), and do not use double apostrophes as quotation marks.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=613</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=613"/>
		<updated>2025-05-18T01:42:14Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if absolutely necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=612</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=612"/>
		<updated>2025-05-18T01:31:56Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if necessary for the story. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=611</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=611"/>
		<updated>2025-05-18T01:31:35Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Guidelines */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
** In order to facilitate editing, please make sure your document is at least formatted consistently. Follow the suggestions below to make sure the reading experience is not frustrating.&lt;br /&gt;
*** The body of the text should be only one font in one font size.&lt;br /&gt;
*** Paragraphs should either use single indents (&#039;&#039;either&#039;&#039; tab indents or first line indents, first line preferred) or in the case of web formatting, with spacing set between the paragraphs.&lt;br /&gt;
*** Do not double return after paragraphs except in the case of scene breaks, though ideally you should have a scene break marker like &amp;quot;#&amp;quot; or &amp;quot;---&amp;quot; between the paragraphs. &amp;lt;span style=&amp;quot;color: red;&amp;quot;&amp;gt;Colored text will not be considered.&amp;lt;/span&amp;gt;&lt;br /&gt;
*** The only text style it is suggested to use is &#039;&#039;italics&#039;&#039;. &#039;&#039;&#039;Bold&#039;&#039;&#039;, &amp;lt;s&amp;gt;strikethrough&amp;lt;/s&amp;gt;, and &amp;lt;u&amp;gt;underline&amp;lt;/u&amp;gt; may be considered if necessary for the story. &lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anthology2&amp;diff=607</id>
		<title>Anthology2</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anthology2&amp;diff=607"/>
		<updated>2025-04-24T16:35:01Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:Tohc2.jpg|thumb|right]]&lt;br /&gt;
= The Second Hayven Celestia Anthology =&lt;br /&gt;
== Call for Submissions ==&lt;br /&gt;
Attention authors and artists! [[User:Rick Griffin|Rick Griffin]] is planning to publish another anthology set in his Hayven Celestia (HC) universe and wants &#039;&#039;&#039;you&#039;&#039;&#039; to submit your creations for inclusion in this book.&lt;br /&gt;
&lt;br /&gt;
* The Hayven Celestia (HC) is a shared universe created by Rick Griffin and [[User:Gre7g|Gre7g Luterman]]. Though the universe features vast empires and amazing technologies, the stories set in HC tend to be about the slaves and underdogs that unwillingly prop those empires up with their labor.&lt;br /&gt;
&lt;br /&gt;
Submission deadline is July 15th, 2025, acceptances/rejections should be out by September 15th, 2025. Publication will follow shortly thereafter.&lt;br /&gt;
&lt;br /&gt;
Submission Form: [https://forms.gle/hUotDrujc3rCue58A HC Anthology 2 Submission Form]&lt;br /&gt;
&lt;br /&gt;
Inquiries Only: [mailto:rickgriffinstudios@gmail.com rickgriffinstudios@gmail.com]&lt;br /&gt;
&lt;br /&gt;
=== Submission Agreements ===&lt;br /&gt;
&lt;br /&gt;
* &#039;&#039;&#039;Story submissions should be in the 3k-9k range.&#039;&#039;&#039; If you would like to submit a shorter or longer story, please inquire first.&lt;br /&gt;
* &#039;&#039;&#039;Art submissions should be either full-bleed, full-page spreads or full-bleed two-page spreads.&#039;&#039;&#039; Please consult the [[Anthology1Templates|artwork layout templates]] first before you create your masterpiece! The publication will be in B&amp;amp;W so color is not required for your piece.&lt;br /&gt;
* Accepted submissions will pay out 1¢/word on publication.&lt;br /&gt;
* Art submissions will pay out $40.00 on publication.&lt;br /&gt;
* Each contributor will receive one contributor copy, but you may purchase additional advance copies for a reduced price and resell them. (This is only available once, at time of first publication).&lt;br /&gt;
&lt;br /&gt;
=== Rights ===&lt;br /&gt;
&lt;br /&gt;
* By allowing us to publish your story, you assert that you hold publication rights to your story. The story submitter will solely be held liable for plagiarism or any other issues that may result from misrepresenting their rights.&lt;br /&gt;
* You agree to allow the anthology editors exclusive publication rights for one year following the date of publication, which will include physical print, ebook and audiobook/podcast rights, as well as the right to use said submissions for purposes of advertising, and non-exclusive publication rights indefinitely afterwards. If your story or artwork was previously made available publicly on the internet, for profit or otherwise, you agree to cease distribution of the story or artwork from the time of the story&#039;s submission to its rejection, or if accepted, until the exclusivity period has lapsed.&lt;br /&gt;
** Audiobooks published under ACX will be held liable to their own rules, which includes seven-year exclusivity for distribution under Audible. As far as I understand it, there are no rules concerning commissioning a new audiobook elsewhere, so once the exclusivity period with the anthology has ended, you are free to commission and distribute your own audiobook of your submission.&lt;br /&gt;
* You agree that, other than the strict text of the story itself, or the exact composition of the image, any characters, species, locations, events, etc. introduced in your submission will be made fully and non-exclusively available for use in the Hayven Celestia universe by the Hayven Celestia community.&lt;br /&gt;
* Other than stated above, the author of the submission retains all copyright to their story and artwork. Once the exclusive publication has ended, the author may republish it, rewrite it, sell it, option it, etc. You may at any time refuse any further use of your work regarding any purpose not listed in the above stated cessions.&lt;br /&gt;
&lt;br /&gt;
=== Guidelines ===&lt;br /&gt;
&lt;br /&gt;
* Your story must be set in the Hayven Celestia universe. See [[#Setting Bible|Setting Bible]] below for further details.&lt;br /&gt;
* We are only accepting submissions in English and are unable to provide translations.&lt;br /&gt;
* &#039;&#039;&#039;AI generated submissions will not be considered and may result in blacklisting&#039;&#039;&#039;.&lt;br /&gt;
* Multiple submissions are allowed so long as the number of submissions is kept reasonable—like three, please, not ten. Send in your best, not everything you&#039;ve ever produced.&lt;br /&gt;
* We are looking for character-focused stories. While stories revolving around ideas will not be rejected outright, they will be much less likely to be accepted for publication.&lt;br /&gt;
** It is unwise to submit a story with a main character who can do no wrong and accomplishes tasks with ease. The point of character-based stories is to challenge your characters.&lt;br /&gt;
* We are looking for plot-driven stories. Action, adventure, romance, intrigue, mystery, and the like will all be considered for publication. We do not accept &amp;quot;literary&amp;quot; submissions (read: stories that make pretense that they are better than to have a coherent plot) or plotless stories (though low-plot stories will be considered).&lt;br /&gt;
* Stories may be serious or comedic, but comedic stories still must adhere to the constraints of the setting, metahumor is not likely to be permitted.&lt;br /&gt;
* We will assist you in editing your short story (we want it to reflect well on us, too!) but your initial submission should be relatively well-edited and free of obvious errors. If we feel like you have to be tutored on how to construct a sentence, we will not consider your story regardless of willingness to help with editing.&lt;br /&gt;
* Crossing over existing characters from other universes is acceptable, &#039;&#039;if&#039;&#039; you have rights to use the character and if the character&#039;s race is—or can be made—generally compatible with the other races of HC. You must treat the character as if it were a new HC character, and the story as if it were a new story and not linked to or derivative of any non-HC property.&lt;br /&gt;
* You are permitted to use characters, species, settings and events from any other published Hayven Celestia story or concept as you see fit. However, it will be considered polite, though not required, to at least get affirmation if not permission from the original creator. While stories do not necessarily need to be &#039;&#039;strictly canon&#039;&#039; to be considered, authors that do want canonicity need to write characters and species in line with their established behaviors.&lt;br /&gt;
* Knowledge of current canon is helpful but not required; you are allowed to ask in the discord for details concerning what fits in with canon. See &#039;&#039;&#039;[[Stories]]&#039;&#039;&#039; for the current published literature.&lt;br /&gt;
* The anthology will be targeted at an adult audience, so adult themes and situations are welcome. However, the following will not be considered for publication:&lt;br /&gt;
** Anything strictly against Amazon KDP&#039;s terms of service at time of publication, whatever the hell &#039;&#039;that&#039;&#039; is.&lt;br /&gt;
** Erotica/pornography. Sexual situations will be considered, but this is not a pornographic anthology (we&#039;ll see about the future...) so the stories cannot revolve around fully explicit sexual encounters, and the amount of explicit sexual contact in the submissions must be limited.&lt;br /&gt;
*** Please note we are talking about &#039;&#039;literal&#039;&#039; depictions of sexual contact with sex organs, &#039;&#039;sexually&#039;&#039;, and not &amp;quot;sexual themes&amp;quot;. Content such as LGBT, non-normative relationships, nudity, PDA, discussions about sexuality, and including negative depictions such as abusive relationships are not considered inherently pornographic and are permitted.&lt;br /&gt;
** Fetish material. Even if the submission is not strictly sexual in nature, any heavily &#039;&#039;pseudosexual&#039;&#039; fixations (vore, gore, bodily fluids, ageplay, etc) presented in place of or at the expense of plot will be considered similarly, or other clearly fetishistic scenarios unnecessary to the story.&lt;br /&gt;
*** Any &#039;&#039;latent&#039;&#039; psychosexual or pseudosexual content is permitted, since the requirements to become a fiction author in the first place means you already have something wrong in the head, and we will not judge your content based on that.&lt;br /&gt;
** Bigotry toward real-world people or groups or thin stand-ins for such. This includes veiled symbology from real-world hate groups, no matter how much it might &amp;quot;fit&amp;quot; the narrative.&lt;br /&gt;
*** Given that one of the core themes of HC is slavery, especially the messiness of master-slave relationships, this might &#039;&#039;seem&#039;&#039; like a difficult line to walk, but it&#039;s really not. Characters are allowed to have opinions both positive and negative, justified and unjustified, about themselves, others and their predicaments. This is meant in terms of &#039;&#039;authorial&#039;&#039; perspective. A narrative overfixation on &#039;&#039;justifying&#039;&#039; hatred is likely going to come under scrutiny.&lt;br /&gt;
** Any other greatly objectionable content will be considered on a case-by-case basis.&lt;br /&gt;
&lt;br /&gt;
=== Setting Bible ===&lt;br /&gt;
&lt;br /&gt;
This is still a work in progress, as is the [[Main_Page|Hayven Celestia wiki]] in general, but there&#039;s a few dos and do nots when it comes to writing in the Hayven Celestia universe:&lt;br /&gt;
* The &amp;quot;story&amp;quot; of the universe is the huge, centuries-spanning galactic war between the lio and the krakun, as well as the turek and potentially other lesser-known species. The intent, however, is not to focus on this war; to the vast majority of the universe the war is a very far-away thing and they&#039;re all just suffering (or profiting) from the fallout. Your story should not affect the trajectory of this overarching story in any major way without significant justification.&lt;br /&gt;
* Without contraindications, it will be presumed that your story takes place in the &amp;quot;present&amp;quot; time of the setting. You are allowed to write stories that take place in the distant past or future, but it would be ideal to not &amp;quot;lock down&amp;quot; canon in this way without discussing this with other writers. See &#039;&#039;&#039;[[Timeline]]&#039;&#039;&#039; for more details. &lt;br /&gt;
* This is not Star Trek. There&#039;s no federation of good guys exploring just for the fun of science and discovery. Utopias do not exist even if they are yearned for. The majority of stories published thus far are of characters simply striving for a better life. This is not a requirement but it is the shape of the kinds of stories this universe prefers.&lt;br /&gt;
* Hayven Celestia is intended as semi-hard science fiction. Certain fantastic technologies are considered mundane, even if such technologies cannot be accessed by everyone. If you introduce a technology, it must be reasonable that this technology is adopted everywhere it would be useful, or else has reasons it cannot. For instance, the sourang DNA-altering formula would be life-changing were it to be pursued and studied, but it cannot because the sourang are living largely ignored under the krakun shadow. See &#039;&#039;&#039;[[Advanced Technologies]]&#039;&#039;&#039; for more details, limitations, and areas that can be expanded upon. Send inquiries if you have questions.&lt;br /&gt;
** Similarly, any element introduced outside of the norm, especially tropey ones, needs to at least be roughly justified. In general, you need to impart to the reader that what&#039;s happening isn&#039;t (or can&#039;t only be explained by) magic, and that its existence has support in the world and isn&#039;t just existing for the sake of the setpiece. It needs to be more than just a handwave. You may, for example, have ancient technology that somehow still functions, but it is unlikely to be made of stone clockwork with still-working traps that cannot be bypassed because it also has a super advanced forcefield that ALSO survived that keeps anyone from just getting to the secret treasure the direct way. That&#039;s silly, and while fun for a certain type of setting and adventure, is something we&#039;d like to avoid breaking the setting for.&lt;br /&gt;
* Themes of faith and spirituality are encouraged, but not concrete incarnations of angels, demons, gods or magic except as myth and folklore (or via some other twist). Any story that is intended as myth should ideally have a framing device. Any other supernatural element such as possession, evil spirits, curses, etc should not be framed as the only reasonable explanation for a given event.&lt;br /&gt;
* Except for explicitly framed fables, it is a requirement to adhere to physical limitations of the species. There are many ways to get around these limitations, but they &#039;&#039;do&#039;&#039; need to be addressed. See &#039;&#039;&#039;[[Races#Atmospheric Compatibility|Atmospheric Compatibility]]&#039;&#039;&#039; for one such example.&lt;br /&gt;
* You are allowed to invent new species as you see fit; we are nowhere near saturation.&lt;br /&gt;
** This anthology is considered first and foremost a &#039;&#039;furry publication&#039;&#039;. The explicit use of animal-like physicality and traits for a given new species is heavily encouraged. Of course, the species does not have to be based &#039;&#039;strictly&#039;&#039; on a real-world animal, and it is suggested that the species be differentiated from a &amp;quot;standard&amp;quot; anthropomorphic animal of that variety in some significant manner.&lt;br /&gt;
*** That said, it is perfectly within reason to be cheeky when developing elements of a species. While krakun are not technically dragons, I did name their currency &amp;quot;golds&amp;quot; because of the connection. So long as these connections are not utterly derailing (like geordians assigning cultural significance to yarn, or something) it should be fine.&lt;br /&gt;
** Humans and the planet Earth are not known to exist in this setting. While it is not &#039;&#039;entirely&#039;&#039; ruled out that Earth &#039;&#039;may&#039;&#039; exist, the introduction of humans or the planet Earth would be a big deal and should not be dropped casually as their presence may be considered canonical and future stories would be pressured to use whatever setup is presented &#039;&#039;as&#039;&#039; canon. As of yet, we have not heard any concept compelling enough to canonize humans or Earth into the setting, and are not inclined to include either without one.&lt;br /&gt;
*** As such it is suggested that &#039;&#039;human-like&#039;&#039; aliens (think Star Trek aliens) not be included either because that might confuse things. Besides... we know what our audience wants.&lt;br /&gt;
** To account for the writing styles of different authors, for descriptive purposes, you &#039;&#039;can&#039;&#039; casually refer to a species that is similar to an earth species by the name of that earth species, but it is preferred to refer to them obliquely by taxonomy. &amp;quot;Felid&amp;quot; or &amp;quot;feline&amp;quot; for cat species, &amp;quot;canid&amp;quot; or &amp;quot;canine&amp;quot; for dog species, etc.&lt;br /&gt;
** For the sake of variety, it&#039;s suggested that you do not create a species that significantly overlaps with those that have been established or canonized. There are currently three canid species (anup, kyacaotl, hekiru) and two felid (geordian, lio) so no other canids or felids will be considered without significant justification. Other species have been proposed by discord members, so if you have ideas for species similar to earth animals not already listed, inquire about these on the discord server.&lt;br /&gt;
** It is also suggested that the precise role of your species does not overlap too strongly with one already established--i.e. while a slavemaster species is fine, a &#039;&#039;giant&#039;&#039; slavemaster species or a &#039;&#039;corporate&#039;&#039; slavemaster species is already overlapping with the krakun.&lt;br /&gt;
** You might notice a trend of &#039;&#039;casual nudity&#039;&#039; in the Hayven Celestia series. While you are not &#039;&#039;required&#039;&#039; to make your species naturist-friendly, it sure goes a long way toward pleasing the judges.&lt;br /&gt;
** Multiple established species have writing tips and guidelines listed for them; see &#039;&#039;&#039;[[Races]]&#039;&#039;&#039; for more information.&lt;br /&gt;
&lt;br /&gt;
== The Erotica Version ==&lt;br /&gt;
Parallel to this new Anthology Phox Sillanpaa and ArcadeDragon are collecting stories and art for an adult only book of from the community that feature the Hayven Celestia Universe. [[TheErotica|More info Here]]&lt;br /&gt;
&lt;br /&gt;
== Discord Server ==&lt;br /&gt;
Got questions about the HC or anthology? Want to discuss a project for it? You need to be in the [https://discord.gg/RZbQSuVk] server where we do that sort of stuff all the time! (if link is expired, contact me at rickgriffinstudios@gmail.com for a link)&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Ssarith&amp;diff=604</id>
		<title>Ssarith</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Ssarith&amp;diff=604"/>
		<updated>2025-04-17T18:43:16Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The ssarith were developed by Rick Griffin while adapting story ideas from the undeveloped story concept &#039;&#039;Snakes Conquer Earth&#039;&#039; to Hayven Celestia. Previous to their appearance in Hayven Celestia, the ssarith (not named such yet) appeared in the short story &#039;&#039;Sissthra&#039;&#039;. (Please don&#039;t look it up, it&#039;s not that good.) The ssarith first appeared in Hayven Celestia in the game &#039;&#039;Under One Sky&#039;&#039;.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Ulayavi&amp;diff=586</id>
		<title>Ulayavi</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Ulayavi&amp;diff=586"/>
		<updated>2025-04-17T04:30:04Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;The ulayavi were first mentioned by Gre7g Luterman in &#039;&#039;Skeleton Crew&#039;&#039; and first appeared in &#039;&#039;Fair Trade&#039;&#039;. The further design and development of this species has tentatively been undertaken by Ember, as her introduced species &#039;&#039;palowan&#039;&#039; had many features in common with ulayavi as thus far described, so the two have been merged.&lt;br /&gt;
&lt;br /&gt;
Writing Ulayavi&lt;br /&gt;
&lt;br /&gt;
For those writing Ulayavi, be mindful of the following, but feel free to operate outside their tendencies.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
==Appearance and Biology==&lt;br /&gt;
&lt;br /&gt;
Ulayavi are pangolin-like, averaging 1m tall standing, but requiring a crouched position to walk with stability. They have 1m long tails and tongues. They have keratinous scales and a tolerance to gravity up to 1.5 times the galactic norm. Genetically modified ulayavi can up to double these features. They are oxygen breathers, and can curl into balls for protection or to roll for movement. Ulayavi scales tend to be earthy brown colors with a slight blue tinge at the base, but there&#039;s a middling population of blackscale ul&#039; and rare populations of ulayavi with albinism, often called flower-scales because of their white and pink or yellow-based scales. Outside of their scaled features, ulayavi have a short layer of fur (2mm typically) over their hide.&lt;br /&gt;
&lt;br /&gt;
Ulayavi sexual organs are all hidden behind slits, and are single-purpose, sharing no relation to their excretory systems, which produce entirely solid waste in cubiform unless overhydrated. (Yes, they shit like wombats.)&lt;br /&gt;
Clothes, when worn, tend to be geometrically patterned, often with triangles or diamonds.&lt;br /&gt;
&lt;br /&gt;
==History==&lt;br /&gt;
&lt;br /&gt;
Twelve hundred years ago, the ulayavi were enslaved by an expeditionary fleet of geordians, whose experiment with gate technology nearly destroyed their homeworld. After accidentally opening a gate into the ocean of Ayavi, their gateship was destroyed, and as punishment their krakun overlord decreed they would spend a millennium fixing their error and seeing how susceptible the &amp;quot;palowan,&amp;quot; as the enslaved came to be called, were to slavery. During this time, the Ulayavi Polity formed as a socialist government and began to reverse-engineer krakun and geordian technology from the wreckage of their ships, focusing particularly on gravity manipulation.&lt;br /&gt;
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The Ulayavi of 600 years ago were high-minded idealists. They fought tooth and nail regardless of sacrifices to expel the Krakun and reclaim their people, with three pyrrhic wars called the Punitive Wars. The palowan rejoined the Polity and kept their name for all diasporic ul and eventually any race that joined the polity.&lt;br /&gt;
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The Ulayavi of 300 years ago believed themselves secure in their space, thanks to the Dark Star Range- a set of gravitic anomalies that make approaching their region near the galactic center difficult -and a growing disconnect began between the worlders and spacers. Great Nomad fleets began to form as some found the conditions on the homeworlds increasingly frustrating, especially for non-ulayavi rescues from slavery under the krakun. And after the loss of the palowan&#039;s homeworld, increasingly disillusioned. Their efforts in sustaining the fight eventually produced the Neutral Zone between Ul&#039; space and the Krakun Empire.&lt;br /&gt;
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The ulayavi of today have magnified that disconnect, with many worlders believing peace is possible with the krakun, while the Navy and Nomad fleets fight against endless waves of privateers and regular wars from krakun mercenaries, especially the Anup. Worlders have grown distrustful of aliens who cling to narratives about krakun cruelty, while the Navy and Nomads keep a more cosmopolitan view, emphasizing meritocracy where they can, but still ultimately keeping ul&#039; at the highest echelons. The latter can sense the end is coming, especially since they hold the secret that for twelve hundred years, they have only faced a single krakun opponent, the patient and cruel Kranodur.&lt;br /&gt;
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They are a people split between the deluded and the desperate, as the central government lies to provide the illusion of control and negotiation with their principal foe, while funneling resources to a new threat in the galactic west. The contradictions have piled up such that, away from their five held worlds, the Ulayavi Polity Navy maintains a delicate balance to prevent the full might of the krakun from being brought down upon them, even if that means committing terrible acts like selling their own into slavery. Because a new threat has arisen on the open galaxy west of Ul&#039; space, and the claws and fangs of the Turek strike deeper with every decade.&lt;br /&gt;
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==Culture==&lt;br /&gt;
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Under the Ulayavi Polity, modern Worlders tend to behave more as idealists, believing that they should spread the goodness of the Ulayavi systems of governance to other worlds. A largely materialist people, they have heavy focuses on production capacity and industrial output, believing that material conditions and the means of production are the foundation of society and history. The utopian ideals of earlier eras were largely expressed for Worlders, and not the ever-increasing diaspora of Nomads, stations, and resource fleets that provide the material for the Worlder&#039;s needs. As their culture has shifted, the Worlders are increasingly distrustful of palowan (diasporic ul&#039; and aliens) and believe peace with the Krakun Empire is just a matter of diplomacy over arms.&lt;br /&gt;
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Worlders tend to treat their scales more as a canvas for art, often preferring elaborate scenes and patterns.&lt;br /&gt;
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Modern Nomads and the Polity Navy are more cosmopolitan in their outlook, owing to their position on the front line of receiving emancipated slaves and strays from the perpetual conflict with the Krakun Empire. Most of their presence is within the Shax Corridor, a stable passage through the Dark Star Range, guarded by a mighty but aging fortress station. Their beliefs often align with supporting rebels and freedom fighters who wish to strike back at the krakun, but their resources have grown increasingly strained and aged because of the politics of the Worlders. Over time, most ulayavi forgot that they&#039;ve still been fighting Kranodur for more than a millennium, but not the Navy. The Nomads are highly active between the Neutral Zone and Ul&#039; space, but even if they could combine all their fleets, supplying the Navy without direct access to worldly production is a daunting challenge.&lt;br /&gt;
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Spacers tend to treat their scales as a means of telling stories or showing achievements. Behind a Navy officer&#039;s rank collar will often be lists of battles or ships served upon, written in the formal triangular form. Even non-ul&#039; palowan often shave or dye such forms into their fur.&lt;br /&gt;
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Any race can come to be considered a palowan if their loyalty is proven. The term has evolved from referencing diasporic ulayavi to indicating anyone who lives off-planet or is an alien. Some Worlders treat it as a pejorative for &amp;quot;warmongers.&amp;quot;&lt;br /&gt;
As a rule of thumb, ul&#039; are all ulayavi, while not all palowan are ul&#039;.&lt;br /&gt;
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The Ulayavi Standard Calendar is 408 days long, the same as the orbit of Ayavi around its host star. Mooncross is their term for a month, consisting of 40 days and reflecting the dual moons that orbit Ayavi. At the middle and end of each year are 4-day holidays. The first Tetrurn is a time to celebrate life, while the winter Tetrurn is a time to be mindful of the dead before the next year starts.&lt;br /&gt;
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Ulayavi work culture is focused on maintaining employment between the ages of 50 and 200. Entrepreneurship is encouraged, but corporatization is viewed suspiciously, and corporations above a certain size inevitably become state-owned if they are an on-planet one. Ulayavi and palowan alike are distrustful of any body of people that seek to emulate the krakun in seeking monopolies or exploitative labor. But they often make allowances for the military and government as long as it&#039;s argued as necessary. Every workplace belongs to a union, and unions form the largest political bloc for Worlders.&lt;br /&gt;
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==Personality Tendencies==&lt;br /&gt;
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Diasporic ulayavi (palowan or spacers) tend to be more open-minded and less judgmental. Living in space is hard without being at each other&#039;s throats. Those with a more peaceful bent tend towards simply taking themselves elsewhere if things get too tense, especially when dealing with Worlders. They often make do with fewer resources and worse living conditions than the equality-focused Polity will acknowledge. A common saying amongst them is &amp;quot;Worlders fill out requisition forms. Palowan make do.&amp;quot;&lt;br /&gt;
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Worlder ul&#039; tend to be distrustful of aliens, who they see as warmongers. They tend to believe that things are better than they appear to be, and that outsiders and nomads complain or lie to get more resources than they should rightfully be allocated. The recent trend towards attempting peace with the krakun has put them at odds with their spaceborn populations, who fear that one day a naive council will form and undo a millennium of effort and sacrifice.&lt;br /&gt;
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Populations of ulayavi do exist outside of ul&#039; space, often as bred or cloned slaves. They are relatively rare compared to other slave populations, as Kranodur is intent on monopolizing the market. Thus, owning ul&#039; can be considered somewhat of a status symbol for krakun if they&#039;re a rare breed, with blackscales and albinos often kept as pets. Normal ul&#039; are often placed in high-gravity labor or environments with high potential for kinetic impacts, owing to their gravity tolerance and armor. Their personalities are just as varied as any other race enslaved by the krakun.&lt;br /&gt;
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==Sexuality==&lt;br /&gt;
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Ulayavi tend to be pansexual and polyamorous. Marriage is a nice way of making things official, and securing larger housing, but is less used amongst Worlders as most needs are provided for on an individual basis. A family is often called a &amp;quot;clade&amp;quot; in the context of a likeness of mind and affection, a divergence from the terms the word is often translated to. Because ulayavi sex organs are internal, voices tend to be similar, and so guessing the gender of ul&#039; partners is often the subject of many romances. &lt;br /&gt;
Both the ul&#039; penis and vagina are triangular, with ul&#039; vaginas sporting three clitori and ul penisis sporting three &amp;quot;prongs&amp;quot; in addition to their prominent bulging musculature, which serves to control the ejaculation rate of seed. Ul&#039; with penises have a large internal organ called a seed organ or seed vessel that can produce up to a gallon of seed for particularly endowed individuals. &lt;br /&gt;
The tendency of ulayavi with wombs is to produce twins, but triplets and quadruplets are also common, and some with a penchant for pregnancy have even produced sedicimplets.&lt;br /&gt;
The tongue occupies a particularly revered place in ulayavi sexual play, as lovers might use it for any number of activities, such as finding which scale covers a sensitive spot, or sounding. Almost all ul&#039; figure out autofellatio at some point.&lt;br /&gt;
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==Disposition and Intelligence==&lt;br /&gt;
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Ulayavi tend to be very collectivist and willing to cooperate within their groups. They are trusting of their governments and leadership, tending to provide great trust as long as their leaders do not prove corrupt or callous. Their society tends towards the matriarchal, and their governments tend towards a bottom-up approach of ensuring basic needs are always met for everyone, regardless of status.&lt;br /&gt;
Ulayavi intelligence has more room to grow than many species owing to their longer lifespans, but there is a tendency to focusing on perfecting a craft as far as it will go before seeking a new thing to learn, which often holds back individuals from being widely knowledgeable outside their chosen fields.&lt;br /&gt;
This tendency is more muted amongst Spacers, who have to master many different talents to survive amidst the cruel void.&lt;br /&gt;
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Most Ulayavi names tend to start with softer consonants or vowels. S, Z, X and Ys names are common.&lt;br /&gt;
The Ulayavi language is often sussurative, with three forms of the S sound depending on prefixural letters and duration.&lt;br /&gt;
Ulayavi sign language requires still arms and transitioning between finger or claw positions for the thirty letters of their alphabet.&lt;br /&gt;
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The base currency within Polity space is the Scale, which tends to be red-gold and triangular or diamond shaped depending on denominations. For digital transactions, credits are the preferred term.&lt;br /&gt;
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==Ship Conventions==&lt;br /&gt;
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Ulayavi ships tend to be more vertically oriented for military ships and more horizontally oriented for civilian models. Both often feature a domed section of hull and military vessels or up-armed civilian ships often go for powerful gravity-based tractor beams.&lt;br /&gt;
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The most well-known ship of the Ulayavi military is the Star Defender, massive shield ships with emphasis on defensive capability, but able to use a complex tractor beam system to rip enemy ships and stations apart at close to medium ranges. Their radial designs have largely gone unchanged for the last 600 years.&lt;br /&gt;
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The Ulayavi are presently experimenting with the creation of city-ships, at the behest of the Stellar Nomad Collective, a project favored by both Worlders and Spacers alike. Currently, there are 8 hulls planned, each named after a star in Ul&#039; space.&lt;br /&gt;
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==Aging==&lt;br /&gt;
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Ulayavi can live up to 300 years on average, with some genetically blessed or privileged individuals making it well into their 400s.&lt;br /&gt;
They are considered adults at age 20, which is roughly equivalent to 23 by the normal galactic calendar.&lt;br /&gt;
In older eras, all ul&#039; would be sent to military school around age 30.&lt;br /&gt;
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==AI==&lt;br /&gt;
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The Ulayavi are presently unable to create generalized artificial intelligence, but they use robotics often in industry.&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
	<entry>
		<id>https://geroo.space/index.php?title=Anup&amp;diff=580</id>
		<title>Anup</title>
		<link rel="alternate" type="text/html" href="https://geroo.space/index.php?title=Anup&amp;diff=580"/>
		<updated>2025-04-16T22:54:15Z</updated>

		<summary type="html">&lt;p&gt;Rick Griffin: /* Total Awe */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[Image:AnupCS.jpg|thumb|right]]&lt;br /&gt;
[[Image:Anup.jpg|thumb|right]]&lt;br /&gt;
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The anup were originally created by Rick Griffin and first appeared in &#039;&#039;Traitors, Thieves and Liars&#039;&#039;. Technically they&#039;re first mentioned in &#039;&#039;Skeleton Crew&#039;&#039; after an edition update.&lt;br /&gt;
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==Writing for Anup==&lt;br /&gt;
When writing for anup, refer to the pinned species sheet. For everything else, please keep the following facts in mind.&lt;br /&gt;
===Touching with paws===&lt;br /&gt;
* The anup reflexively avoid using their hands (paws) to touch other living beings. This taboo is cultural, not instinctual, and in a strict sense &#039;&#039;only&#039;&#039; applies to touching, using their spans for proxies. However, many anup will expand this to not gesturing with empty paws at all.&lt;br /&gt;
* Touching anything other than living beings is perfectly fine (but feel free to have some anup feel squeamish about this, too).&lt;br /&gt;
* Anup &#039;&#039;can&#039;&#039; touch with their hands while in private (or in public if they&#039;re kinky), and the gesture is seen as intimate all on its own.&lt;br /&gt;
* There is no social penalty for touching another anup by accident or on purpose so long as the touch is brief and infrequent, but it will likely make other anup uncomfortable. If it is too frequent, the anup may end up being shunned and they are pressured into undergoing a ritual cleansing to atone.&lt;br /&gt;
* The taboo against touch arose from a devastating plague several hundred years ago, but most anup don&#039;t take this as the Real Reason for the taboo. Anup have a tendency to follow tradition &#039;&#039;just because&#039;&#039; it&#039;s tradition, even if it&#039;s highly inconvenient.&lt;br /&gt;
* That said, anup are not a monolith. There are pockets of more progressive anup who are much less restrictive about touching with their paws, though they will likely still come across as very reserved to other species.&lt;br /&gt;
===Sexuality===&lt;br /&gt;
* While anup are &#039;&#039;stereotyped&#039;&#039; as ascetic, they are actually not. Anup rituals may involve sexual elements (with or without hand-touching). Anup have few issues with sleeping with others or getting romantically involved outside of their pairbonding. One&#039;s mate could still take interest/concern in another&#039;s partners but rarely for reasons of jealousy.&lt;br /&gt;
* The reason for the stereotype is because anup do not talk about this sort of thing openly, and sex of this nature is almost entirely restricted to one-on-one pairings.&lt;br /&gt;
===Total Awe===&lt;br /&gt;
* Anup derive a kind of fascination from taking in sights of grandeur. This fascination &#039;&#039;is&#039;&#039; instinctual.&lt;br /&gt;
* The effect of this fascination is similar to a crush or glamour. The anup may find themselves preoccupied with the thought, forget to eat, feel embarrassed about the kinds of things they find awe-striking, etc. The act of actually taking in the sight is experienced as calming, energizing, and/or captivating. When an anup gets used to a sight of grandeur (such as the view of the city they live in) they will get less preoccupied but still derive great comfort from it.&lt;br /&gt;
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===Religion===&lt;br /&gt;
* The krakun took over as the center of the anup religion centuries ago. In practice, this doesn&#039;t mean much in terms of the religion&#039;s rituals. Krakun are treated as gods; cults following specific krakun have their own ideas and practices around them which the krakun may or may not deliberately cultivate. But krakun rarely bother with micromanaging the details of anup&#039;s day-to-day activities--they are only really concerned with receiving tribute.&lt;br /&gt;
* Anup rituals involve mysteries, drug use, sex, blood sacrifice, and so on. Despite anup proclivity toward tradition, these rituals are not always set in stone and are frequently adjusted by the priests or the community depending on their needs.&lt;br /&gt;
* Cosmology: life is one of a series of lives in sequence, one from which anup have come and the next into which (good) anup will ascend. Most anup do not consider non-anup to be included in this incarnation cycle--all other species (even gods) are merely a feature of &#039;&#039;this&#039;&#039; world.&lt;br /&gt;
===Military===&lt;br /&gt;
* The anup military is considered one of the most fearsome in the galaxy. However, this does not necessarily carry over into the effectiveness of &#039;&#039;slave&#039;&#039; forces.&lt;br /&gt;
* The anup military itself is considered to be &#039;&#039;in alliance&#039;&#039; with the krakun. Other species assume, much like their own predicaments, this means that the krakun control the military directly and pretend it&#039;s an alliance, but in practice this is actually what happens. The anup military&#039;s independence from krakun command is in a large portion what keeps them effective and allows them a lot of leverage over the krakun. The fact that krakun are gods is not a point of intimidation for admirals and generals.&lt;br /&gt;
* Because of their discipline and willingness to (mostly) cooperate with krakun, anup slaves can be sold at a high premium (hundreds of golds) and due to the cost, most are pressed into military service/security forces under direct krakun authority. However, anup slaves are &#039;&#039;significantly&#039;&#039; less effective than free anup. After all, the ones who were delivered into slavery tend to be the less disciplined in general.&lt;br /&gt;
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[[Category:Species in Hayven Celestia]]&lt;/div&gt;</summary>
		<author><name>Rick Griffin</name></author>
	</entry>
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